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stepout

Step Out | 16.04.2019

“Step Out” is an artistic night event at Galerie Toolbox featuring queer themed art from German-based creatives and artists.

On Tuesday 16th of April in Wedding, Berlin starting from 18.00 / 6pm,

there will be

  • A screening of an art shortfilm “Step Out”, which centers trans bodies, anxieties and preparations in it’s narrative. Shortfilm by Erin Hampson and Lara Bochman
  • A performance by drag king Maria Moschus
  • Poetry reading & open stage, hosted by Erin Hampson
  • Queer poetry zines & art on sale

The event is Free Entry for everyone. A more detailed program will be publicized in the Facebook event (https://www.facebook.com/events/1320096648148081/)

 closer to the date.

If you’re interested in participating to the event with a lecture/performance/music/poetry reading or you would like your small prints and zines on display, please contact us: info.galerietoolbox@gmail.com ! Last day of entry: 10th of April

Address to the event:
Galerie Toolbox
Koloniestraße 120
Berlin, Germany

Event banner photo: a screencap from Erin Hampson and Lara Bochman’s shortfilm “Step Out”  
Heli-Ryhänen

Hexenbesen – Whitches´ Broom
30.03.-20.4.2019

Heli Ryhänen

Welcome: Vernissage / Opening: Friday / Freitag 29.03.2019, 7pm |

Open on Sunday 31.03.2019 from 2-6pm

Ausstellungsdauer / Exhibition open: 30 March – 20 April 2019 |
Öffnungszeiten/ Opening hours: Wed-Sa 3-7pm |

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed


I am interested in putting into visual form subjects involving humanity: various situations in life, problem solving abilities or inabilities, attitudes to oneself, towards other people and other species. Not to mention body language, non-verbal communication and the subconscious. Emotions, joys and sorrows alike, come across from the body in many ways. Perhaps this is the reason why I have chosen human shape as a basis of my works.

In the exhibition the humanity is both present and absent in my works. Plants, mice and parts of human body interlock. The works are linked into the ephemeral qualities of life and the cycles of nature. Decaying body feeds another living creature, which in turn fades and gives birth to something new.

In the airborne work ”Witches´ Broom” a mother mouse is climbing a chain. Weather beaten plants are bare with only few leaves. Mice and other rodents are survivors. They endure also the ultimate hardships, even beyond the human existence.

photo:Luz Scherwinsk

Taking a line for a walk
Performance 23.03.2019

Performance and Finissage

Adaptation of Amy J. Klement’s performance in public space of the same name. Absurd overheard dialogue performed with live improvised music.

With Amy J. Klement, Marion Ruault, Leander Reininghaus, Anaïs Poulet

More information on the artists:
Marion Ruault plays doublebass, https://mariondoublebass.wixsite.com/music
Leander Reininghaus loops guitar, https://leanderreininghaus.bandcamp.com/
Amy J. Klement
http://amyjklement.com/performance/taking-a-line-for-a-walk
Anaïs Poulet
www.anaispoulet.com

Approx. length: 30 minutes

Herzlich willkommen!

*Photo credit: Luz Scherwinski*

Galerie Toolbox
Koloniestraße 120
13359 Berlin

workshop

ZINE WORKSHOP | 21.03.2019

Time: 15:00–18:45 on 21.03.2019

Hey, you, creative! Would you like to find a form for your little manifesto? Or collage? Maybe you want to tell an original story, or make something educating?

Zines are an excellent low-bar way to publish your poetry, comics – or even a polaroid collection. They can work as flyers as well as a piece of art. In the workshop we give instructions on how to make a zine from only one printer paper – no stapler needed!

In this workshop the point is to let the imagination flow and to connect, talk and make zines with like-minded creatives. There is no age limit or any drawing or writing skills required.

The workshop is led by comic artist Siiri Viljakka. We provide the required materials for the workshop, but you can take pencils etc. of your own with you.

The material cost of workshop is 2 euros per person. The language of the workshop is English. There is a limited workspace for attenders, so first come & first serve!

The workshop’s address:

Koloniestraße 120
13359 Berlin Wedding

(Closest U-Bahn: Osloer Straße)

Hope to see you here!

Juha Sääski

Juha Sääski, Poul R. Weile
23.02.–23.03.2019

  • Juha Sääski, mixed media on paper
  • Poul R. Weile, sculpture, video, drawings, photographs

Welcome: Vernissage / Opening: Friday / Freitag 22.02.2019, 7pm |

Open on Sunday 24.02.2019 from 2-6pm

Ausstellungsdauer / Exhibition open: 23 February – 23 March 2019 |
Öffnungszeiten/ Opening hours: Wed-Sa 3-7pm |

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed


The works of Juha Sääski are dealing with the feeling of being safe and the feeling of
vulnerability as well as contrasting the experience of the imminently threatening with that of
positive everyday matters.

In the world of dejecting and horrific incidents life must go on. Through the news-flood we are
mentally living in the middle of catastrophies, even though we are, for the time being,
physically safe. For expressing the paradoxal nature of human life Sääski is juxtaposing
comical and naive elements to serious content. According to Charlie Chaplin, ‘life is a tragedy
in close-up, but a comedy in long-shot’.

Juha Sääski is a Finnish artist who has arranged several solo shows and participated in a
number of group shows in Germany, for instance in Berlin, Nuremberg, Ulm, Munich,
Mannheim, Viernheim (Kunsthaus & Kunstverein Viernheim), Koblenz (Museum Ludwig).

More information: www.juha-saaski.fi


Deutsch

Juha Sääskis Arbeiten beschäftigen sich mit Gefühlen von Sicherheit einerseits und
Verletzbarkeit andererseits, er kontrastiert Erfahrungen unmittelbar drohender Gefahr mit
positivem Alltagsgeschehen.

Das Leben geht weiter in einer Welt, die voll ist von entmutigenden und furchtbaren
Ereignissen. Durch die Medienflut wähnen wir uns ständig inmitten von Katastrophen,
obwohl wir, im Moment noch, physisch nicht bedroht sind. Um die paradoxe Natur
menschlichen Lebens auszudrücken, stellt Sääski komische und naïve Elemente neben ernste
Inhalte. In einem berühmten Diktum Charlie Chaplins ist das Leben von Nahem betrachtet
eine Tragödie, von weiter weg aber eine Komödie (‘life is a tragedy in close-up, but a comedy
in long-shot’).

Die Werke des finnischen Künstlers Juha Sääski sind schon in einigen Einzel- und
Gruppenausstellungen in Deutschland zu sehen gewesen, zum Beispiel in Berlin, Nürnberg,
Ulm, München, Mannheim, Viernheim (Kunsthaus & Kunstverein Viernheim), Koblenz
(Museum Ludwig).

Mehr Informationen unter www.juha-saaski.fi

 

 

frank-rossi_so-viele-farben-schwarz

Automat und Saxofon | 26.01.2019

Soundscapes & Soundportraits lädt ein zu einem ungewöhnlichen Experiment:

Composer-Performer Harri Sjöström improvisiert frei zur selbstkomponierenden Musikmaschine des Künstlers Frank Rossi. Zuhörer*innen – und hier: der Saxofonist – können interaktiv die Dichte und Geschwindigkeit der Klänge selbst steuern. Nähert man sich dem Apparat oder läuft um ihn herum, wird das Spiel schneller und komplexer, entfernt man sich, wird es leiser und langsamer. Das Konzert findet im Rahmen der Ausstellung von Alexander Horn (Mannheim) und Frank Rossi (Mannheim) im Projektraum Toolbox statt. Die Musikmaschine des Künstlers Frank Rossi erzeugt Klänge, die sich wirklich wie ernstzunehmendes Klavierspiel anhören, und darüber hinaus ist sie auch noch ein wunderschönes Objekt.

Harri Sjöström gehört zu den herausragendsten Composer-Performern weltweit. Sein Spiel enthält sowohl aktuelle, zeitgenössische Arten und Weisen der Klangerzeugung als auch melodiös-lyrische Elemente, vielleicht inspiriert von Vogelsang. Er verwendet verschiedene Dämpfer (selected mutes), teils zweckentfremdete Gegenstände, wie etwa den inzwischen berühmten Plastikbecher, die es ihm erlauben, in einen Dialog mit sich selbst zu treten. Die tiefen Töne klingen durch den Dämpfer wie eine Trompete, das ist die eine Stimme des Dialogs, die andere sind die höheren mit dem normalen Saxofon-Sound.

Samstag,  26 Januar 2018: Start20 Uhr

  • Harri Sjöström (Saxofon )
  • Frank Rossi (Tonal Pattern Generator)

Weitere Informationen:


Soundscapes & Soundportraits ist ein Projekt von Harri Sjöström, Anna E. Wilkens  und Andreas Wolf

 

 

Alexander Horn-The Black Hunter

The Black Hunter
25.01.–16.02.2019

Alexander Horn (Drawings, Video),
Frank Rossi
(Sound-Installation and Tonal Pattern Generator)

Welcome: Vernissage / Opening: Friday / Freitag 25.01.2019, 7pm |

Performance on Saturday 26.01. at 8pm

Open on Sunday 27.01.2019 from 2-6pm

Ausstellungsdauer / Exhibition open: 26. 01–19.02. 2019 |
Öffnungszeiten/ Opening hours: Fr-Sa 3-7pm |

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed


scroll down for German translation

The Black Hunter

The work of Alexander Horn is known for its drifting along at the limits of what seems to be speakable, or, as one of the titles says: ‘Administrations and measures at the border of unlikeliness’.
Horn’s pictures, mostly begun as drawings and structured through limited imagery, are completed by diverse mixed media.
These drawings combine concise composition, overpainting and collagelike elements into a peculiar pictorial language which, despite its archaic impression of rigidity, hints at something detached and moving.

Dr. Harry Gelb


Die Arbeiten Alexander Horns zeichnen sich oft, im Wortsinne, dadurch aus, dass sie an den
Grenzen des Sagbaren entlanggleiten, oder „Anwendungen und Maßnahmen an der Schnittstelle zur Unwahrscheinlichkeit“ sind – wie einer der Titel lautet.
In den motivisch sehr eng gefassten und meist als Zeichnungen angelegten, dann in verschiedenen Mischtechniken fortgeführten Grafiken vermengen sich strenge Formgebung, Übermalungen sowie collagehafte Elemente zu einer eigentümlichen Bildsprache, welche trotz ihrer archaisch anmutenden Statik etwas Losgelöstes und Bewegendes in sich birgt.

Dr. Harry Gelb


 So viele Farben Schwarz

frank-rossi_so-viele-farben-schwarz

Frank Rossi | So viele Farben Schwarz

So viele Farben Schwarz is a Sound-Installation and Tonal Pattern Generator. In it, the twin strands of confrontation with automatons that are able to play music independently of humans and the idea of automated composition, of endlessly self-generating music, are combined to form an autopoietic, that is to say, both self-playing and self-composing music machine.
check full text on http://telesma.com/

Lost Luggage

Lost Luggage
30.11.–20.12.2018

Group Show

  • Jesse Avdeikov
  • Christine Candolin
  • Alisa Javits
  • Ritva Larsson
  • Maija Närhinen
  • Katriina Rosavaara
  • Jocke Sederholm
  • Anniina Vainionpää

Welcome: Vernissage / Opening: Friday / Freitag 30.11.2018, 7pm |

Open on Sunday 02.12.2018 from 2-6pm

Ausstellungsdauer / Exhibition open: 30.11. –20.12. 2018 |
Öffnungszeiten/ Opening hours: Wed-Sa 3-7pm |

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed


Jesse Avdeikov

works with painting, animation and installation. He seeks for unpleasant, pleasant, absurd and noteworthy aspects of life. Hoping to find the meaning of life by accident while having fun.

Christine Candolin

I have been working with installations since early 1980s.
 Evolution of the human mind, especially the interconnectedness of matter and mind and the emergent properties connected to this, are the important constituents of my studies, and can be seen as allegorical reflections in my work.
The postmodern research on cognition and perceiving and our actions in the world has a relevant part in the ideas behind my working.

I´m wondering how we effect our world by perceiving it, experiencing it and living it. This is what I mean with the expression “matter and mind“. For where does the mind end and the “world” begin?
For me the world is not a given place outside us, my approach is phenomenological; the world unfolds in correlation with our own cultural and mental development, with our broadening cognition and knowledge. This is an interdependent and ongoing process.

My installations are allegorical reflections on this exploration.
My art is space-specific. I’m often assembling my installations to fill several rooms, so that the subject matter can be sensed through the connotations of the combined materials, form, and thought. Some of the materials I use have a transient character, like water, breeze, light, grease, and pigment powders. But also stones, steel, glass and other reflecting materials are often parts of the installations. I prefer to create installations in which beauty combines with austerity, meaning and thought.
My installation at the Toolbox is called My Mental Hadron-Collider.
It is a small videoinstallation. The work is an ecological statement of the ongoing human fall on this planet. It consists of a text, videoprojection into the material installation. The text can be read in the introduction of the installation.
www.ccandolin.fi

Alisa Javits

“I found a suitcase. It belonged to Someone before me. A slightly naive artifact, with thoughts and dreams encapsulated in a case.”
Alisa Javits works in Helsinki with video and installation. She mixes photographic and filmic working methods. The main theme of the work is the contradiction between the inner and the outer in people.

Ritva Larsson

I ́m graduated from the University of Applied Sciences, Institute of Fine Arts Lahti. I also hold a masters degree in social sciences. With this combination as a background it ́s somewhat natural to explore “the social” by the means of arts. The theme ”street” is one cornerstone of my artwork. The artworks have been painted based on classical traditions. The combination creates an interesting tension between the traditional techniques and the modern themes, where “the social“ meets “the realism“. When these marginalized people are brought into the gallery, we are forced to face something we would prefer rather not to see or to think about. It is fascinating, how art can make a powerful statement about social issues. Yet the process itself is crucially slow. The situations evolve rather slowly on a canvas or on a piece of paper and an true, deeper dialogue among the painting and the world is not possible. In the end the piece remains as the artist ́s statement towards a certain issue but reproduces itself due the perception of the viewer.

Maija Närhinen

I make three-dimensional works and installations, which are composed of numerous parts. In my works I also combine different ways of depicting: two- and three-dimensional parts can form a single piece of work. In my artistic practice I am interested in for instance how to use one material to make an illusion of another material.

lost-luggage

Maija Närhinen

In the Lost Luggage exhibition there will be my work called Luggage. It consists of easily movable stones: the stones packed in a suitcase have been made of water colour paintings on paper. Some of them are in a form of a paper roll and some of them have been formed to resemble real stones.
http://www.maijanarhinen.fi

 

Katriina Rosavaara

Katriina Rosavaara (b. 1975, Finland) is Helsinki based visual artist. Lost Landscape – Revisited (2018) is a short film essay on family history, transgenerational war trauma, refugee and queer. Rosavaaras grandparents were forced to leave their home during the second world war. In the film Rosavaara travels back to her former family home town Sortavala (Russia) three times, in three different decades, reflecting changes on her own memories and on Sortavala city area.

Jocke Sederholm

“I’m a sculptor. I work mostly with wood. Much of my work deals with feelings and relations between people, I’m inspired by humans and humanity.”

https://www.joakimsederholm.fi

Anniina Vainionpää

The subject of my recent work has been memory and personal history combined with how our individual experiences resemble one another and unify us despite our different backgrounds.

In my work I often depict aspects of humanity such as feeling of disparity and alienation. According to my personal experiences concepts of safe and familiar can transform (for example due to illness) into something strange and unrecognisable even terrifying.

The works represented at Lost Luggage exhibition are from “Oblivion” series. They are combinations of woodcut and monotype on paper.

 

 

 

 

 

 

 

film students from Finland in Toolbox

RAND | 27.10.–17.11.2018

Aalto University and Oulu University Film School

  • Taneli Suoranta
  • Mikael Syrjälä
  • Sanna Liinamaa
  • Janne Häkkinen
  • Jaakko Kemppainen
  • Kirsi Huhtanen
  • Tuuli Teelahti
  • Sanna Liljander
  • Janne Junes
  • Ossi Tuovinen
  • Anne Nuuros
  • Maija Pellinen
  • Malin Nyqvist
  • Sevgi Eker

Welcome: Vernissage / Opening: Friday / Freitag 26.10.2018, 7pm |

Open on Sunday 30.09.2018 from 2-6pm

Ausstellungsdauer / Exhibition open: 27.10. –17.11. 2018 |
Öffnungszeiten/ Opening hours: Wed-Sa 3-7pm |

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed

Ilkka Sariola

Shit Happens 2
29.9.–20.10.2018

Drawings by Ilkka Sariola

Welcome: Vernissage / Opening: Friday / Freitag 28.09.2018, 7pm |

Open on Sunday 30.09.2018 from 2-6pm

Ausstellungsdauer / Exhibition open: 29.9. –20.10. 2018 |
Öffnungszeiten/ Opening hours: Wed-Sa 3-7pm |

Finissage: 20.10.2018 7:30pm

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed


Ilkka Sariola (b.1969) is an urban artist and priest based in Helsinki. He is known for his expressive drawings and performances. In january 2018 Sariola had a large exhibition Shit Happens at Gallery Orton, Helsinki and now he continues the theme is his first solo show in Berlin Galerie Toolbox.

Shit Happens 2 is a collection of drawings from four series called: Disgrace, Thirst, Easter drawings and Sunday drawings. Disgrace is about personal and collective shame. Thirst has echoes of the tradition of 14 Stations of the Cross. Easter drawing are in connection of religious themes as lamentation, pietá and ecce homo. Sunday drawings combine biblical and political topics. All drawings are mede with pencil and eraser on paper.

Zeichnungen von Ilkka Sariola

Ilkka Sariola (geb.1969) ist ein urbaner Künstler und Pfarrer der in Helsinki lebt und arbeitet. Er ist bekannt für seine expressive Zeichnungen und Performance. Im Januar 2018 hat Sariola eine Große Austellung Shit Happens im Galerie Orton, Helsinki und jetzt macht er weiter mit das Thema in seine erste Solo Austellung in Berlin in der Galerie Toolbox.

Shit Happens 2 ist eine Auswahl von Zeichnungen aus vier Serien, die die Schande, der Durst, Osterzeichnungen und Sonntagzeichnungen heißen. Die Schande geht um persönliches und kollektives Schamgefühl. Der Durst ist inspiriert von den vierzehn Stationen des Kreuzweges. Osterzeichnungen sind verbunden mit religiöse Themen wie Beweinigung, pietá und ecce homo. Sonntagzeichnungen kombinieren biblische und politische Inhalte. Alle Werke sind mit Bleistift und Radierer gezeichnet.