Cordial invitation to the guest exhibition with Dutch artists at InteriorDAsein and Toolbox. As part of the project space association Kolonie Wedding. In collaboration with Kunstruimte 411, Haarlem, Netherlands. Curated by Hans Kuiper and Archi Galentz.
With works by Marius van Zandwijk (painting), Aquil Copier (painting), Piet Zwaanswijk (collage/print), Jessica Assmann-Zwaanswijk (painting), Sina Khani (painting), Ilja Warmerdam (painting), MC de Waal (photography), Antonio Rego (digital drawing prints), Gerard Veldman (painting), Daan van Houten (drawing/woodcut), Rene Bosch (photography/painting), Tarik Sadouma (AI print) and Hans Kuiper (drawing/painting).
In dialog with Berlin artists: Gisa Hausmann, Jelisaweta Klutschewskaja, Edwin Dickman, Klaus Jürgeit, Jovan Balov, Thomas J.Richter, Cristina Artola, Svenja Schüffler, Markus Schaller, Gagik Kurginian, Julia Katan, Patrick Huber, Julia Kissina and others.
Opening on Friday, October 25 from 7 pm in InteriorDAsein, hosted by Archi Galentz and simultaneously in ToolBox, hosted by Hans Kuiper.
Opening hours on Saturday and Sunday, October 26 and 27 from 4 to 7 pm. After the colony weekend by appointment.
Finissage on November 24 from 4 to 7 pm in ToolBox and from 7 to 10 pm in InteriorDAsein.
Addresses: InteriorDAsein, Steegerstraße 2, 13359 Berlin ToolBox, Koloniestraße 120, 13359 Berlin Transportation from InteriorDAsein to Toolbox: 3 stops by bus 255 or 18 minutes on foot.
Storage plan of Kolonie Wedding and list of further exhibitions of the project space association: https://koloniewedding.de/
Toolbox is open on the Kolonie Wedding weekend only on Sunday, 29.9.2024 from 2–6pm
For German, please scroll down
Jussi Pyky
It gave him fire. He cooked the meat and ate. He heated the ore to separate the iron. He forged a sword, an axe, a plow and a scythe. He built a shelter for the cattle and harnessed his horse to pull the plow. He took over the land, cleared the forests, sowed the field and reaped the harvest. It gave him simple machines. He dug his way into the ground. He built great machines that spewed the contents of the earth into the sky. It gave him electricity. He built engines and robots to do jobs that humans would have needed. It gave him radio waves. He developed the radio and used it to spread his propaganda. It gave him artificial intelligence. He amassed vast material to control, rule and maximize his profits. It gave him power. He had blind faith in his vision and infallibility. He considered all the misery and suffering he caused to be necessary. That’s the price of progress.
Jussi Pyky (born in Tyrnävä, Finland 1985 ) lives and works in Helsinki. He graduated from the Lahti Institute of Fine Arts in 2009 and from the Finnish Academy of Fine Arts in 2016. Pyky has presented his works in numerous solo and group exhibitions in Finland and abroad. His work is found in Seppo Fränti Collection in Museum of Contemporary Art Kiasma and private collections. Download CV Jussi Pyky (PDF)
The exhibition has been supported by the Alfred Kordelin Foundation and the Finnish Art Promotion Center.
Artwork: Jussi Pyky Worldview, 2024, charcoal and ink on paper, 195 x 150 cm
Carola Ernst – Wirkung [Effect]
Solar, 2021 indian ink, watercolor – wax pastell, oil pastel chalk, acrylic, graphite on canvas 136 x 121 cm (artist framed)
Conundrum images, tilt figures, hidden object images, forms of multi-stable perception, and multi-perspective are well-known forms of expression in art. I am engaged in the exploration of new perceptual strategies in painting and drawing. On a scientific level, my work is influenced by the theories of advanced psychophysics and the findings of neuroscience on processes of perception and consciousness. The limits of perception with the question of reality, fantasy, and imagination are essential components. The experience of different levels of reality in the visual arts, as they can be experienced, for example, in shifts of consciousness in dreams or intoxication, as well as the intensification of impressions through provoked emotions or intrusive memories, are here the core of my artistic work.
Herzliche Einladung zur Eröffnung der Ausstellung am Freitag, 27.9.2024, ab 19 Uhr
Am Koloniewochenende ist die Toolbox nur am Sonntag, 29.9.2024 von 14–18 Uhr geöffnet.
Victory over Nature and Man [Sieg über Natur und Mensch]
Es gab ihm Feuer. Er kochte das Fleisch und aß. Er erhitzte das Erz, um das Eisen zu trennen. Er schmiedete ein Schwert, eine Axt, einen Pflug und eine Sense. Er baute einen Unterstand für das Vieh und schirrte sein Pferd an, um den Pflug zu ziehen. Er eroberte das Land, rodete die Wälder, säte den Acker und erntete die Früchte. Es gab ihm einfache Maschinen. Er grub sich in den Boden. Er baute große Maschinen, die den Inhalt der Erde in den Himmel schleuderten. Sie schenkte ihm Elektrizität. Er baute Motoren und Roboter, um Arbeiten zu erledigen, die Menschen gebraucht hätten. Er schenkte ihm Radiowellen. Er entwickelte das Radio und nutzte es, um seine Propaganda zu verbreiten. Sie schenkte ihm künstliche Intelligenz. Er häufte riesige Mengen an Material an, um zu kontrollieren, zu herrschen und seine Gewinne zu maximieren. Das gab ihm Macht. Er hatte blindes Vertrauen in seine Vision und Unfehlbarkeit. Er hielt all das Elend und Leid, das er verursachte, für notwendig. Das ist der Preis des Fortschritts.
Jussi Pyky (geboren 1985 in Tyrnävä, Finnland) lebt und arbeitet in Helsinki. Er schloss sein Studium am Lahti Institute of Fine Arts im Jahr 2009 und an der Finnischen Akademie der Schönen Künste im Jahr 2016 ab. Pyky hat seine Werke in zahlreichen Einzel- und Gruppenausstellungen in Finnland und im Ausland präsentiert. Seine Arbeiten befinden sich in der Sammlung Seppo Fränti im Museum für zeitgenössische Kunst Kiasma und in privaten Sammlungen.
Vexierbilder, Kippfiguren, Wimmelbilder, Formen der multistabilen Wahrnehmung und Multiperspektive sind in der Kunst bekannte Ausdrucksformen.
Ich beschaftige mich mit der Erforschung neuer Wahrnehmungsstrategien in der Malerei und Zeichnung. Auf wissenschaftlicher Ebene wird meine Arbeit von Theorien der weiterfuhrenden Psychophysik und Erkenntnissen der Neurowissenschaften uber Wahrnehmungs- und Bewusstseinsprozesse beeinflusst. Die Grenzen der Wahrnehmung mit der Frage von Wirklichkeit, Fantasie und Imagination sind wesentliche Bestandteile. Das Erleben verschiedener Realitatsebenen in der Bildenden Kunst, wie sie z. B. auch bei Bewusstseinsverschiebungen im Traum oder Rauschzustand erfahren werden konnen, sowie die Intensivierung von Eindrucken durch provozierte Emotionen oder intrusive Erinnerungen bilden den Kern meiner kunstlerischen Arbeit.
Yö ry Artists’ Association is an advocacy organization for professional artists from various fields, primarily operating in Helsinki. YÖ in BERLIN is a group exhibition organized by Yö ry, featuring works by its member artists. Yö has over 300 member artists and a gallery in Helsinki on Lönnrotinkatu. The space is free for all exhibiting artists, not just members of the association. At the core of Yö is its members’ desire to act. Yö ry is not merely an artist-run gallery but a coalition of proactive and enthusiastic professionals from various fields. Yö is a movement and community, whose large membership enables even the most ambitious initia- tives to be realized.
YÖ IN BERLIN is the first exhibition exchange between Yö ry and Galerie Toolbox. The exhi- bition is curated by Toolbox’s founding members together with Yö ry members Mia Makela and Henriikka Pöllänen.
Yö’s exhibition at Galerie Toolbox includes video art, visual art, and a portfolio showcase, where you can browse the works of Yö’s member artists on a screen. The video works and portfolios were selected through an open call.
All the videos have been produced during 2020´s. The video works have been curated into 3 different screening programs. Remnants of the Wild presents videos exploring our partner- ships to non-human world from Earth Forces, Mia Makela and Lau Rämö. Tapestry of Time contains video works unraveling the echoes of past in the present time from Johanna Väisä- nen, Hanna Råst, Joonas Jokiranta and Airbakers (Toivola & Wager). Close Encounters presents a collection of videos focused on exploring intimacy through per- formance art from Juhani Koivumäki, Kainulainen&Latva, Mari Hokkanen, Eoin O`Dowd, To Kosie, Henttu&Nummi&Kin and Ginko Hsu.
The paintings and sculptures in the exhibition bring forth the diversity of materials. Isabel Pathirane’s paintings are bound together by the strong use of color and expressiveness. Tuo- mas Holst blurs the lines between painting and sculpture with works that are made from re- cycled materials. Krista Blomqvist’s series “Creatures of the Night” consists of paintings on copper, which evolve over time as the copper itself changes. The glass sculptures of Henriik- ka Pöllänen and Kimmo Reinikka bring out different dimensions of glass as material.
Curatorial team consisted of Toolbox founding members Maija Helasvuo and Niina Räty in collaboration with Yö Association board members Mia Mäkelä and Henriikka Pöllänen.
Opening program includes a performance from Tapani Pirog and an opening talk by Yö cura- torial team. Some of the artists will be present. Artist meetings on Saturday 1. 6 from 16 until 20 at the gallery.
We cordially invite you to the opening with works by Joakim Sederholm and Anton Laiko on Friday, 29 March 2024 from 7 pm.
I have always tried to express humanity with my work. I have expressed what it meens to be a fragile human being. I hope my art would increase tolerance and understanding between people. Often my work take the shape of a man or woman and sometimes a dog. I mostly use wood as material.
Joakim Sederholm
Artwork. Sorrow, 2023, 21 x 21 x 83 cm, painted wood
The exhibition is complemented by smaller works on the same topic by Toolbox members Maija Helasvuo, Sampsa Indrén, Mika Karhu, Niina Räty, Juha Sääski and Ilkka Sariola.
Ergänzt wir die Ausstellung durch kleinere Werke zum gleichen Thema von den Toolbox-Mitgliedern Maija Helasvuo, Sampsa Indrén,
Mika Karhu, Niina Räty, Juha Sääski und Ilkka Sariola.
Curated by | kuratiert von Farhad Gavzan and Ilkka Sariola
The exhibition “Wounds” is very special. Toolbox is honoured to present Iranian art, in particular drawings by eight contemporary Iranian artists: Sahar Nahvandi Nejad, Atefeh Mehrvarz, Minoo Kiani, Azin Rostami, Rheleh Ghavipanjeh, Farhad Gavzan, Behnam Bakhshi and Behnam Bakhshizadeh. In addition to Iranian art, some of our TOOLBOX members, Maija Helasvuo, Mika Karhu, Juha Sääski, Sampsa Indren and Ilkka Sariola, will also be presenting some smaller works.
The theme of the exhibition, wound, is ambiguous; everyone has their own invisible wounds, the wounds of violence may appear as scars and the traces of war as open bleeding wounds. We live in critical times and societies are threatened by the Corona pandemic and the war in Ukraine. In fact, the pandemic and the ‘quarantine galleries’ on Instagram, which took place in the year 2020, were the starting point for this exhibition. In the difficult early stages of the pandemic, Iran ended up in a complete lockdown and quarantine. The artist Mr Farhad Gavzan was interested in my artworks on Instagram and he presented some of my artworks in the “Quarantine Gallery” he founded. This gave me the idea to create a cultural exchange project “Quarantine gallery, drawings from Iran and Finland”. I ended up posting 78 days, Instastories and on my wall, from 18.3. – 1.6. 2020, representing as many artists from Iran and Finland. During this project I received many messages from Iranian and Finnish artists who appreciated this cultural art exchange. Many asked if I could represent their artworks. I was impressed by the powerful expression of the works of Iranian artists, often women. I experienced how a drawn picture touches across cultural borders. Now, after more than three years, I have the honour of presenting the works of 8 Iranian artists live in the Toolbox Gallery. This exhibition is curated by my friend Farhad Gavzan and I. The process has been challenging for many unfortunate reasons, but also rewarding. I thank I thank everyone involved in organizing the exhibition in Iran, Berlin and Finland, especially Farhad Gavzan, Andreas Wolf and rest of our Toolbox crew.
Image: Sahar Nahavandi Nejad, untitled, pencil on cardboard, 50 x 70 cm
Niina Räty (painting and drawing), Maija Helasvuo (wood sculptures)
Opening: Fri 25 August 2023, 7pm
25.8.-23.9.2023
Opening hours: Wed-Sat 3pm-7pm
Closed on bank holidays
Maija Helasvuo
My sculptures shown in the exhibition were created in memory of my deceased relatives.
In the old Finnish belief, the bird acts as a messenger between the living and the dead. So the connection to the afterlife is always there.
Maija Helasvuo: From Spring to Autum, 2021, Photo: Jussi Tiainen
Niina Räty
I have a dog who brings joy and structure to my life. She trusts me, eagerly keeps me company, and makes ordinary days more meaningful. She is considered my property. Animals are traded, they are milked, sheared and slaughtered, they are made to carry and compete. Is it even possible to build a relationship with an animal without seeking benefits?
Niina Räty: To Milk, 2022, oil, pastel on canvas
Toolbox Cabinet In the cabinet, two music archaeologists will introduce themselves.
One from Finland and one from Berlin:
Dr. Arnd Adje Both
Dr. Riitta Rainio
An archaeomusicological installation consisting of a virtual reality video and ceramic sculptures of instrumentalists will be presented.
The virtual reality videos bring to life the soundscape at the rock painting site of Siliävuori, Finland, about 5,000 years ago. The painted rock cliff rising directly from the lake responds to drumming and singing with echoes. Rock painting sites with images of animals, humans, boats and even drummers are believed to have been ritual sites for prehistoric hunter-fisher-gatherers.
The virtual reality reconstruction of Silävuori was made in collaboration between archaeologists, musicologists and cognitive scientists from the University of Helsinki, using terrestrial and aerial laser scans, spherical photography, spatial impulse response recordings, studio recordings and convolution. The work was part of Dr. Riitta Rainio’s project ”Acoustics and auditory culture at hunter-gatherer rock art sites in Northern Europe, Siberia and North America” funded by the Academy of Finland (2018–2023).
Dr. Arnd Adje Both
The work’s I’m presenting here are related to a theme of mine, the invisibility of sounds and their momentary condition in time and place.
German:
Niina Räty (Malerei und Zeichnung), Maija Helasvuo (Holzskulpturen)
25.8.–23.9.2023
Öffnungszeiten: Mi–Sa 15-19 Uhr
An Feiertagen geschlossen
Maija Helasvuo
Meine in der Ausstellung gezeigten Skulpturen sind im Gedenken an meine verstorbenen Verwandten entstanden.
Im alten finnischen Glauben fungiert der Vogel als Bote zwischen den Lebenden und den Toten. Die Verbindung zum Jenseits besteht also immer.
Niina Räty
Ich habe einen Hund, der Freude und Struktur in mein Leben bringt. Sie vertraut mir, leistet mir eifrig Gesellschaft und macht gewöhnliche Tage sinnvoller. Sie wird als mein Eigentum betrachtet. Tiere werden gehandelt, sie werden gemolken, geschoren und geschlachtet, sie werden zum Tragen und zum Wettbewerb gezwungen. Ist es überhaupt möglich, eine Beziehung zu einem Tier aufzubauen, ohne Vorteile zu suchen?
Toolbox Kabinett
Im Kabinett werden sich zwei Musikarchäologen vorstellen.
Einer aus Finnland und einer aus Berlin:
Dr. Arnd Adje Beide
Dr. Riitta Rainio
Präsentiert wird eine archäomusikologische Installation bestehend aus einem Virtual-Reality-Video und Keramikskulpturen von Instrumentalisten.
Die Virtual-Reality-Videos erwecken die Geräuschkulisse an der Felsmalereistätte von Siliävuori, Finnland, vor etwa 5.000 Jahren zum Leben. Die bemalte Felswand, die sich direkt aus dem See erhebt, antwortet auf Trommeln und Gesang mit Echos. Es wird angenommen, dass die Felsmalereien mit Abbildungen von Tieren, Menschen, Booten und sogar Trommlern Ritualplätze für prähistorische Jäger, Fischer und Sammler waren.
Die Virtual-Reality-Rekonstruktion von Silävuori wurde in Zusammenarbeit von Archäologen, Musikwissenschaftlern und Kognitionswissenschaftlern der Universität Helsinki unter Verwendung von terrestrischen und Luft-Laserscans, sphärischen Fotografien, räumlichen Impulsantworten, Studioaufnahmen und anderen Techniken erstellt. Die Arbeit war Teil von Dr. Riitta Rainios Projekt “Acoustics and auditory culture at hunter-gatherer rock art sites in Northern Europe, Siberia and North America”, das von der Academy of Finland (2018-2023) finanziert wird.
Dr. Arnd Adje Both
Die von mir hier präsentierten Arbeiten beziehen sich auf eins meiner Themen, die Unsichtbarkeit von Klängen und ihr momentanenrZustand in Zeit und Raum.
My interest is how things are installed. For example, stage design, illusions, artificial and “authentic” are themes that intrigue my mind. In addition to that I am as well interested in museums. Such as art museums, historical museums and biological, scientific, theatre and movie museums, not to forget the museums that show any kind of curiosities.
As a person I am curious. As an Artist I shift from technique and media to another which might seem to be a disability to concentrate. I paint, I draw, I make animation and I build three-dimensional works. Although for me the basic motive as an artis is to collect all kinds of visual material, to edit it and to compose a visual piece of art. I am like a collector who observes, discovers, and digests the world around me.
For me Art is a medium to combine various interests of mine and therefore a way to create a kind of personal Wunderkammer. It is a way to express myself and an attempt to try to place myself in the World and to try to understand it.
Kim Somervuori (b. 1975) represents his own unique style, swimming against the current of contemporary Finnish painting. The themes of his artwork draws widely from art and culture; alongside Modernist history of painting, there is a presence of both classic Western poetry and alternative hits of popular music. His gritty painting style has been honed to perfection. The strokes are skilful, as if they were made effortlessly. The composition falls into place as if by itself. And yet, everything is carefully crafted: The materials and handiwork are present. They are not hidden but they are still discreet. The artwork can be viewed without being aware of the presence of the artist. Consequently, Somervuori doesn’t charge his paintings with angst, doesn’t delve in action painting nor aestheticizes by reduction. The mainly good-humoured artworks rife with cultural references are rich and thoughtfully painted. The titles of the artworks matter, should the viewer want to find context offered by the artist, but this is by no means necessary. The weave of visual elements is sure to offer something for everyone.
Curator and gallerist Veikko Halmetoja has been working with Kim Somervuori for already a decade. Somervuori has held four solo exhibitions at Halmetoja’s gallery, but the collaboration between the curator and the artist has also proved fruitful in other exhibitions and projects. Somervuori’s exhibition at Toolbox is his first solo exhibition in Berlin. It has been organized by the artist in collaboration with Gallery Halmetoja.
Kim Somervuori’s art has been acquired in numerous significant Finnish art collections. The largest series of Somervuori’s artworks can be found in Kiasma, in the collection donated by Seppo Fränti to the Finnish National Gallery. Somervuori has graduated from the Academy of Fine Arts in Helsinki after previous art studies in Stockholm.
Photo artwork
Kimi Somervuori, Crysis, 2023
acrylics, ink on canvas
30 x 25 cm
