All posts tagged “Installation

Artwork Niina Räty

Seating – 27.05–18.06.2022

Niina Räty

Painting, Installation | https://cargocollective.com/niinaraty

Toolbox Kabinett:
Tanja Vetter (Mannheim), paintings
https://www.tanjavetter.de/

Vernissage: 27. 05. 2022, 19 h

27.05.–18.06.2022
Öffnungszeiten / Opening hours: Mi–Sa 15–19 h
Kolonie Weekend: Sun 29. 05. 2022: 14 –18 h

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closedting


Seating

A good poem has an empty seat, it is for the reader.

Caj Westerberg

I too try to offer a seat for the beholder of my paintings. I outline a chair, a stool, I portray an armchair.

Toolbox

Juha Sääski, Kenneth Pils, Lotte Nilsson-Välimaa, Kabinett: Esther Horn | 29.04.–21.05.2022

Vernissage: 29. 04. 2022, 19 h
Eröffnungsmusik von Harri Sjöström (Saxophon)
Opening music by Harri Sjöström (saxophone)

29.04.–21.05.2022
Öffnungszeiten / Opening hours: Mi–Sa 15–19 h
Kolonie Weekend: 01 05. 2022: 14 –18 h

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed


Lotte Nilsson-Välimaa (Stockholm)

Lotte Nilsson-Välimaa

“Diana”. Ich weiß nicht, ob es das Licht war, das ihr seltsam in die Augen fiel. Aber ich erinnere mich, wie berührt ich war, als ich in ihr blau-meliertes Rund, ihre Iris, sah. Und der Blick wurde weiter in die dunkle Pupille gezogen. Das monumentale Gemälde entstand in einer performativen Situation 2022.

 

 

Kenneth Pils (Stockholm)

Kenneth Pils

Von Kindheitserinnerungen inspirierte Aquarellbilder in einer Mixed-Media-Installation.
Von der Bildwelt in den physischen Raum – ein Kunstwerk, das man umrunden und lesen kann wie eine 3-dimensionale Collage und dabei totalen Szenenwechsel erlebt. Ein wenig, als ob man sich erst streitet und dann Freunde wird.

 

Juha Sääski (Helsinki)

Juha SääskiDie Mixed-Media-Arbeiten auf Papier beschäftigen sich mit der Frage: Was ist ein gutes Leben in einer Atmosphäre von Unsicherheit oder gar Angst? Ist es möglich, die schlimmen Vorfälle auszublenden, die in unsere hoffnungsvollen Gedanken, in unser
glückliches Zuhause eindringen? Ist es Eskapismus?

www.juha-saaski.fi

Esther Horn (Berlin)

SEsther Horn

Danke, ich komme nun mit der Dunkelheit zurecht. Tatsächlich kann sie wahnsinnig schön sein. Es kommt auf das Licht an, das man setzt, um sie zu erkennen.
Aus: „A Ghost song und die Wahrhaftigkeit der Collage“, blog Artikel Esther Horn vom 22.12.2021

www.estherhorn.de

 

Andreas Wolf artwork

Bild Raum | Image Space
25.03.–23.04.2022

In collaboration with Anna E. Wilkens the artist Andreas Wolf has created a walk-in non-representational image at the Finnish-German Art Space Toolbox. During the exhibition, the artist s probably will continue working on the space-image structure.

Vernissage: 25. 03. 2022, 19 h
27. 03.–23. 04. 2022
Öffnungszeiten / Opening hours: Sa 15–18 h
Kolonie Weekend: 27. 03. 2022: 14 –17 h

Der Künstler Andreas Wolf hat in Zusammenarbeit mit Anna E. Wilkens im Finnisch-Deutschen Art Space Toolbox ein begehbares ungegenständliches Bild im Raum installiert. Im Laufe der Ausstellungsdauer wird das Raum-Bild-Gefüge möglicherweise noch verändert.

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed

www.andreaswolf.net

 

Neustart-KulturLogo

Simo Ripatti

Drying Room | 30.8.–21.9.2019

Simo Ripatti

Installation

Toolbox Kabinett: Pablo Hermann

Welcome: Vernissage / Opening: Friday / Freitag  30.08.2019, 7pm |

Open on Sunday 1 September, 2019, 2–6pm |

Ausstellungsdauer / Exhibition open: 31 August – 21 September 2019 |
Öffnungszeiten / Opening hours: Wed–Sa 3–7pm |

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed

Artwork: Simo Ripatti


Drying Room is a rendition of the classification that we use to perceive the world and to create various groupings and structures. It does not aim to define the concept of classification or even its necessity. Rather, it serves as a basis for examing questions of this nature. Drying Room reveals the notability of space, artwork, perception and the moment of it as the parts of the knowledge.

Simo Ripatti (b. 1975) is a Finnish visual artist. Studied at the sculpture department of the Finnish Academy of fine arts, Helsinki and Institute of fine Arts, Lahti, Finland.

www.simoripatti.com

Heli-Ryhänen

Hexenbesen – Whitches´ Broom
30.03.-20.4.2019

Heli Ryhänen

Welcome: Vernissage / Opening: Friday / Freitag 29.03.2019, 7pm |

Open on Sunday 31.03.2019 from 2-6pm

Ausstellungsdauer / Exhibition open: 30 March – 20 April 2019 |
Öffnungszeiten/ Opening hours: Wed-Sa 3-7pm |

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed


I am interested in putting into visual form subjects involving humanity: various situations in life, problem solving abilities or inabilities, attitudes to oneself, towards other people and other species. Not to mention body language, non-verbal communication and the subconscious. Emotions, joys and sorrows alike, come across from the body in many ways. Perhaps this is the reason why I have chosen human shape as a basis of my works.

In the exhibition the humanity is both present and absent in my works. Plants, mice and parts of human body interlock. The works are linked into the ephemeral qualities of life and the cycles of nature. Decaying body feeds another living creature, which in turn fades and gives birth to something new.

In the airborne work ”Witches´ Broom” a mother mouse is climbing a chain. Weather beaten plants are bare with only few leaves. Mice and other rodents are survivors. They endure also the ultimate hardships, even beyond the human existence.

Lost Luggage

Lost Luggage
30.11.–20.12.2018

Group Show

  • Jesse Avdeikov
  • Christine Candolin
  • Alisa Javits
  • Ritva Larsson
  • Maija Närhinen
  • Katriina Rosavaara
  • Jocke Sederholm
  • Anniina Vainionpää

Welcome: Vernissage / Opening: Friday / Freitag 30.11.2018, 7pm |

Open on Sunday 02.12.2018 from 2-6pm

Ausstellungsdauer / Exhibition open: 30.11. –20.12. 2018 |
Öffnungszeiten/ Opening hours: Wed-Sa 3-7pm |

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed


Jesse Avdeikov

works with painting, animation and installation. He seeks for unpleasant, pleasant, absurd and noteworthy aspects of life. Hoping to find the meaning of life by accident while having fun.

Christine Candolin

I have been working with installations since early 1980s.
 Evolution of the human mind, especially the interconnectedness of matter and mind and the emergent properties connected to this, are the important constituents of my studies, and can be seen as allegorical reflections in my work.
The postmodern research on cognition and perceiving and our actions in the world has a relevant part in the ideas behind my working.

I´m wondering how we effect our world by perceiving it, experiencing it and living it. This is what I mean with the expression “matter and mind“. For where does the mind end and the “world” begin?
For me the world is not a given place outside us, my approach is phenomenological; the world unfolds in correlation with our own cultural and mental development, with our broadening cognition and knowledge. This is an interdependent and ongoing process.

My installations are allegorical reflections on this exploration.
My art is space-specific. I’m often assembling my installations to fill several rooms, so that the subject matter can be sensed through the connotations of the combined materials, form, and thought. Some of the materials I use have a transient character, like water, breeze, light, grease, and pigment powders. But also stones, steel, glass and other reflecting materials are often parts of the installations. I prefer to create installations in which beauty combines with austerity, meaning and thought.
My installation at the Toolbox is called My Mental Hadron-Collider.
It is a small videoinstallation. The work is an ecological statement of the ongoing human fall on this planet. It consists of a text, videoprojection into the material installation. The text can be read in the introduction of the installation.
www.ccandolin.fi

Alisa Javits

“I found a suitcase. It belonged to Someone before me. A slightly naive artifact, with thoughts and dreams encapsulated in a case.”
Alisa Javits works in Helsinki with video and installation. She mixes photographic and filmic working methods. The main theme of the work is the contradiction between the inner and the outer in people.

Ritva Larsson

I ́m graduated from the University of Applied Sciences, Institute of Fine Arts Lahti. I also hold a masters degree in social sciences. With this combination as a background it ́s somewhat natural to explore “the social” by the means of arts. The theme ”street” is one cornerstone of my artwork. The artworks have been painted based on classical traditions. The combination creates an interesting tension between the traditional techniques and the modern themes, where “the social“ meets “the realism“. When these marginalized people are brought into the gallery, we are forced to face something we would prefer rather not to see or to think about. It is fascinating, how art can make a powerful statement about social issues. Yet the process itself is crucially slow. The situations evolve rather slowly on a canvas or on a piece of paper and an true, deeper dialogue among the painting and the world is not possible. In the end the piece remains as the artist ́s statement towards a certain issue but reproduces itself due the perception of the viewer.

Maija Närhinen

I make three-dimensional works and installations, which are composed of numerous parts. In my works I also combine different ways of depicting: two- and three-dimensional parts can form a single piece of work. In my artistic practice I am interested in for instance how to use one material to make an illusion of another material.

lost-luggage

Maija Närhinen

In the Lost Luggage exhibition there will be my work called Luggage. It consists of easily movable stones: the stones packed in a suitcase have been made of water colour paintings on paper. Some of them are in a form of a paper roll and some of them have been formed to resemble real stones.
http://www.maijanarhinen.fi

 

Katriina Rosavaara

Katriina Rosavaara (b. 1975, Finland) is Helsinki based visual artist. Lost Landscape – Revisited (2018) is a short film essay on family history, transgenerational war trauma, refugee and queer. Rosavaaras grandparents were forced to leave their home during the second world war. In the film Rosavaara travels back to her former family home town Sortavala (Russia) three times, in three different decades, reflecting changes on her own memories and on Sortavala city area.

Jocke Sederholm

“I’m a sculptor. I work mostly with wood. Much of my work deals with feelings and relations between people, I’m inspired by humans and humanity.”

https://www.joakimsederholm.fi

Anniina Vainionpää

The subject of my recent work has been memory and personal history combined with how our individual experiences resemble one another and unify us despite our different backgrounds.

In my work I often depict aspects of humanity such as feeling of disparity and alienation. According to my personal experiences concepts of safe and familiar can transform (for example due to illness) into something strange and unrecognisable even terrifying.

The works represented at Lost Luggage exhibition are from “Oblivion” series. They are combinations of woodcut and monotype on paper.

 

 

 

 

 

 

 

film students from Finland in Toolbox

RAND | 27.10.–17.11.2018

Aalto University and Oulu University Film School

  • Taneli Suoranta
  • Mikael Syrjälä
  • Sanna Liinamaa
  • Janne Häkkinen
  • Jaakko Kemppainen
  • Kirsi Huhtanen
  • Tuuli Teelahti
  • Sanna Liljander
  • Janne Junes
  • Ossi Tuovinen
  • Anne Nuuros
  • Maija Pellinen
  • Malin Nyqvist
  • Sevgi Eker

Welcome: Vernissage / Opening: Friday / Freitag 26.10.2018, 7pm |

Open on Sunday 30.09.2018 from 2-6pm

Ausstellungsdauer / Exhibition open: 27.10. –17.11. 2018 |
Öffnungszeiten/ Opening hours: Wed-Sa 3-7pm |

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed

Toolbox 6 years Party

TOOLBOX 6 Years Birthday Party
24.–26.08.2018

GOLDEN AGE-Festival 24.– 26.8.2018

Koloniestraße 120, 13359 Berlin-Wedding


Friday 24.8.

Starting 11:00

”Superpositio” collective drawing-collage-installation process, pop-up exhibition.

Artists: Maija Helasvuo, Mika Karhu, Juha Sääski, Niina Räty, Sampsa Indren, Minna Jatkola, Anssi Taulu. Kollektiivisen piirustus-kollaasi-tilateos yhteisteoksen valmistaminen (TOOLBOX-jäsenistö).

18:00

Live music:

Harri Sjöström and Emilio Gordoa duo

20:00  At the park near Galerie TOOLBOX:

Träumende Bäume

Uneksivat puut (Träumende Bäume)nykytanssia ja nukketeatteria yhdistelevä esitys (Puppentheater mit zeitgenössischem Tanz) joka pohjautuu Didier Comèsin sarjakuvaan Uneksivien puiden talo (Das auf Didier Come´s´Comic ”La Maison ou´revent les arbres” basierende Stuck. Performers from Helsinki and Tampere. Helsinkiläis-tamperelainen työryhmä. More information, Lisätietoa: www.uneksivatpuut.net

Das auf Didier Comès` Comic ” La Maison où rêvent les arbres (Das Haus, wo die Bäume
träumen) basierende Stück verbindet Puppentheater mit zeitgenössischem Tanz. Die
Inszenierung ist mit drei TänzerInnen, einer Puppenspielerin, einer Schauspielerin und einem
Musiker besetzt und verhandelt den Klimawandel, unsere Beziehung zum Wald und die
Macht der Albträume.
Die Bäume sind der Menschen überdrüssig geworden, und die Zeit der angenehmen Träume
ist vorbei. Früher verwandelten sich die Träume der Bäume etwa in Vögel oder
Schmetterlinge, doch aufgrund des unguten menschlichen Treibens sind die Träume nun
reine Albträume. Diese Albträume setzen sich zusammen aus uralten kollektiven
Erinnerungsstucken und greifen – puppenspielerisch dargestellt – als Raubtiere an,
gnadenlos.
Durch Bewegung, Tanz und verschiedene Radiofrequenzen hindurch entwickelt die
Inszenierung sich auf ihr ritualhaftes Ende zu. Aufführungssprachen sind englisch, deutsch
und finnisch.
Kosten- und barrierefreie Vorfuhrungen am Fr 24.8. und So. 26.8., jeweils 20 Uhr am
Kanalufer in Berlin-Wedding. Treffpunkt ist die Galerie Toolbox an der Koloniestraße 20.

Regie und Dramaturgie: Mira Laine, Choreografie: Mirva Keski-Vähälä / Darstellerinnen: Outi Ivaska, Heidi Suur-Hamari, Sini Peltola, Tommi Rikkinen, Petra Haapio, Riku-Pekka Kellokoski / Puppen und Masken: Anna Sucksdorff / Kostum: Reija Stenius / Musik, Komposition und Sound: Riku-Pekka Kellokoski / Licht: Jari Piitulainen / Grafikdesign: Mark Ståhle / Ubersetzung des Originalwerks ins Finnische: Soile Kaukoranta / Deutsche Ubersetzung: Elina Kritzokat / Website und Herstellung: Bastian Salmela

Videostudio:

Kristina Frank (Visby,Sweden) ”We are all atoms”, ”Take to the woods”, ”Blanco”, ”Two rabbits part 1”, ”Two rabbits part 2”


Saturday 25.8.

14.00 Galerie TOOLBOX
”Superpositio”- drawing-collage-installation.

The visitors may participate working, continue doing the collective art work. Gallerian seinillä yleisöllä mahdollisuus osallistua kollektiiviseen piirustus/kollaasiin.

Videostudio: Kristina Frank (Visby, Sweden) all day long

17:00 Galerie TOOLBOX and the street in front of gallery:

Performance: Kalle Turakka-Purhonen

Live music: Country band


Sunday 26.8.

20:00 at the park near Galerie TOOLBOX:

Träumende Bäume, second performance, Uneksivat puut -toinen esitys

21:00 Videoart, outdoor screening in front of the gallery:

The X Film Femmes: The Talkies,

Artists: Aino Havu, Ilkka Hautala, Taina Medina, Gabriela Gaia Meirelles, Taimi Nevaluoma, Mortti Saarnia

Toolboxberlin

Still Life in White |
28.7.–23.8.2018

Salla Keskinen & Elina Nissinen & Eero Yrjölä:​ ​Still Life in White

Welcome: Vernissage / Opening: Friday / Freitag 27.07.2018, 7pm |

Open on Sunday 29.07.2018 from 2-6pm

Ausstellungsdauer / Exhibition open: 27.7. –28.7. 2018 |
Öffnungszeiten/ Opening hours: Wed-Sa 3-7pm |

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed


“Art exists in a kind of eternity of display (…) there is no time. This eternity gives the gallery a limbolike status; one has to have died already to be there.” ​(​Brian ​O’Doherty​: Inside the White Cube:The Ideology of the Gallery Space​ 1976; 15)

Like a garden is the gallery of form-cut wilderness, rose bushes and poetic rituality; the gallery is a garden of ceremonial eventuality, curated objects in conceptual landscape.

Still Life in White​ is flowers and saplings dressed in white. The emblematic blends with the actual and the process of dying becomes an event of birth.


Salla Keskinen, Elina Nissinen and Eero Yrjölä are Helsinki-based artists who share an interest to several themes. Contemplation on the color ​white,​ for instance, has been part of their previous work. ​Still Life in White ​is Keskinen, Nissinen and Yrjölä’s first production as a trio, even if they have worked with each other through other collaborations already before.

Salla Keskinen​ ​(b. 1983) mainly works with performance, photography and video.​ ​In addition to the camera, the body is an essential tool in her work that tackles the concept of intimacy. ​www.cargocollective.com/sallakeskinen

Elina Nissinen​​ (b. 1991) has recently worked in collaborative projects that have focused on installation and performance. Her interests revolve around the entanglements of the urban everyday in the social reality and the haunting presence of disbelief, magic, and dreams. Nissinen is member of the transcultural ​Third Space​ collective. CV: ​https://drive.google.com/file/d/10G4z8otiYL5C4U6rSdsViChcnTKGBkYo/view?usp=sharing

Eero Yrjölä​​ (b. 1990) works primarily through painting, installation and performance. Aiming often to comment on the conventions of art and the art world, Yrjölä’s work looks into the themes of “normality”, gender and sexuality. ​www.eeroyrjola.com

error Anssi Taulu

Error | 28.4.–19.05.2018

Anssi Taulu, Finland (sculptures),
Francois Knoetze, South Africa  (Video)

Welcome: Vernissage / Opening: Friday / Freitag 27.04.2018, 7pm |

Ausstellungsdauer / Exhibition open: 28.04.–29.05.2018 |
Öffnungszeiten/ Opening hours: Wed-Sa 3-7pm |

An Feiertagen ist die Toolbox geschlossen
On Bank holidays Toolbox is closed


 Error

Do we see the consequences of our actions? Do we care?

Are we living in a dream industry, where nothing really happenes. Life just slides out between commercial breaks.

This reality is a growing tornado of mistakes, our collective blind spot.

Today’s phenomena are reflections from yesterday’s choices and decisions. And the traces go back over centuries. The history of a man is a jumble of courage, cowardice, wisdom, foolishness, mistakes, damages, mistakes, misunderstandings and recklessness.

Anssi Taulu works predominantly in the medium of sculptures, but includes environmental art projects, graphics, drawings, videos and collaborative projects with other artists in his large scale installations. Taulu graduated from Kankaanpää Art School in 1994. His major solo shows have been at Galleria Sculptor in Helsinki, GalleriaKONE in Hämeenlinna and Galerie Toolbox in Berlin, Germany. His environmental art project Wasp Factories were built in numerous places in Finland, Edinburgh and London. His works have been exhibited in Germany, Sweden, Scotland, Norway and Estonia. Taulu have public works in Finland and in Utica NY. He is a member of the Association of Finnish Sculptors and Toolbox cooperative. He lives and works in Hämeenlinna, Finland.


Video Room artist

Francois Knoetze

( South Africa)

Born in Cape Town, Francois Knoetze is a performance artist, sculptor and filmmaker. He holds a BA Fine Arts degree from Rhodes University and an MFA in Fine Arts degree from Michaelis School of Fine Art, UCT (both with distinction).

In 2012 Knoetze featured as one of Art South Africa magazine’s “Bright Young Things” and was recently selected as one of Mail & Guardian’s “Top 200 Young South Africans” of 2015. Knoetze’s work incorporates video, performance and sculpture, as he retraces the life cycles of discarded objects and explores junctures between material and social histories. In his Mongo* sculptural suits, the synthetic is welded to the human – bringing focus to the objectification of persons, through the personification of objects.

Videos

Cape Mongo

Cape Mongo, formed part of the Grahamstown National Arts Festival Main Programme in 2015. He has participated in group exhibitions, such as U/Tropiaat the Wiener Festwochen in Germany (2015), Slow Violence at the University Stellenbosch Art Gallery (2015) and Designing Futures at the Lagos Photo Festival (2015). His work has also been shown at a number of local and international film festivals, including the WNDX Festival of Moving Image 2015 (winner of the Jury Prize for Best International Work), the 17th Paris Festival for Different and Experimental Cinema, Artvideo Koeln: Audiovisual Experiences in Cologne (2015), Infecting The City Public Art Festival in Cape Town (2015), Usurp Zone5 Film Festival at the Usurp Art Gallery & Studio in London (2015), the FILMIDEO International Film Festival at the Index Art Center in Newark, New Jersey (2015) and OK.Video Film Festival in Indonesia (2015).

Mongo n. slang. object thrown away and then recovered.

More info: https://francoisknoetze.carbonmade.com